Installations

Silver Ball (Light and Color, Mostly) by Table of the Elements

"Kelley is an avatar of the power and humanity inherent in recognizing the radical impurity of human experience. His art searches out dark and soiled places where defects, fault lines and inadequacies are obvious and routine, and where failure takes on the poignant, fragile, even heartbreaking beauty that accompanies any loss of self."
 Christopher Knight, Los Angeles Times
 
"In a three-decade career, cut off abruptly by his suicide, at 57, last year, Kelley did it all, in terms of genre: performance, painting, drawing, printmaking, sculpture, video, installation, sound art and writing. And he wove together — twisted together — all of that into what amounted to a single conceptual project based on recurrent themes: social class, popular culture, black humor, anti-formalist rigor and, though rarely acknowledged, a moral sense, unshakably skeptical, that ran through everything like a spine."
Holland Carter, New York Times

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Daguerreotypes of the Living Dead by Jeff Hunt

The wildly versatile multi-media artist Bradly Brown defies expectations, and he does so in perverse, science-fictitious splendor. I’m biased, as he’s not only my creative collaborator but my friend, but this gaunt Texan has the real goods at the farthest flung trading posts: expertly crafted wampum that cloaks value in vivid, secretive layers. His intuitive design skills alone merit high praise; in an era in which graphic artists often succumb to Novocaine levels of digital numbness, Bradly’s work pounces out of two-dimensional confines. If you have a deft sensibility, you can see it breathe and pulsate. Spirits of silver nitrate float; dead voices carry; bestial dystopia beckons.

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